When Chris Blattman was last in Liberia, we talked about blogs. And Kindles and enumerators and a lot of other things too, but also a lot about blogs. He was just about to launch his new site christblattman.com and was looking for a header image.

I pulled out my laptop and started flipping through files of images. I asked him what kind of thing he was looking for. He wasn’t sure, he said.

But, no children.
And, no Africans dancing.

No problem, I said. I have tons of photos of all kinds of things, and since most of his research coincidentally takes place in the two countries where I’ve spent the most time, this would work out nicely. As I scrolled through some thumbnails, he stopped and pointed to one of them and asked to see it full size.

It was of children dancing.

a5a8268392050b990293c9bd99c9edfb Going dot com

He finally settled on this image, from Karamoja.

7cb08ee36de08e53504ec834f8c487cc Going dot com

Check out his new site for Lenin cakes, development experiments, and a belly proof golden summer.

(If I had been there, nothing could have kept me from taking a picture. Rules about respecting people’s wishes to not be photographed be damned!)

And speaking of going dot com, next week I’ll be launching ScarlettLion.com. Stay tuned for more info. It’s been fun a fun lion sex filled run, blogspot, but it’s time for me to go dot com.

542eb0309f2229f7b670935ff79bf24c Going dot com

85ce959f76389ac8334944cec1c0918d Sierra Leone: many photos of the day

ea6306282a9fd56ee85d4d7735fc8a7d Sierra Leone: many photos of the day

c77b6a296de4916a2cb84843d771a84e Sierra Leone: many photos of the day

8f98f26587bc43fcda1ecc2557215994 Sierra Leone: many photos of the day

47d0206f508d5bde4bb2d193834f1021 Foreign Policy: War Criminal Charles Taylor Clears the Courtroom

Former Liberian President Charles Taylor, who spurred a decade of violence in neighboring Sierra Leone, is on trial for war crimes. Why don’t Sierra Leoneans seem to care?

BY GLENNA GORDON | JULY 28, 2009

It is nine o’clock in the morning on a rainy Wednesday in Freetown, the capital of Sierra Leone. The main courtroom at the Special Court sits empty, save for televisions filled with former Liberian President Charles Taylor’s face. The half-dozen screens are broadcasting live footage from The Hague. Four rows of wooden benches and 14 rolling black office chairs are unoccupied.

The Sierra Leonean government and the United Nations established the Special Court to try those who bear the greatest responsibility for the decade-long war that displaced a third of the country’s population of six million and left tens of thousands dead. During the war, which started in 1991, armed factions funded and supplied by countries like Liberia and Libya battled for control of Sierra Leone’s diamond mines. They used revolutionary rhetoric and sheer brutality to recruit young men, and often children, to their swelling ranks — and to the decimation of Sierra Leone.

All the other cases that have been and will be tried by the Special Court have taken place in this very room.

But not Taylor’s. The Special Court indicted him on 11 counts of war crimes, crimes against humanity, and other serious violations of international humanitarian law. Sierra Leoneans and the international community agreed that trying him in Freetown was a grave threat to regional security. He still enjoys widespread popular support in Liberia to this day. The fear that his supporters would return to Sierra Leone and wreak more havoc was very real.

His case was transferred to The Hague, to keep him and Sierra Leone safe. It streams live across the world over the Internet. And it is broadcast in this courtroom in Freetown.

As I write this, Taylor is identifying people by name in a faded color photograph, 3,200 miles away. Not that most Sierra Leoneans care. Taylor has brutalized and terrorized this country since 1991. His case sparked a flurry of interest at first. But now, most seem more interested in moving forward than looking back at the Liberian strongman they blame for most of their problems.

Read More…

20f45b39e17f953ab570b217acb24bbb Foreign Policy: War Criminal Charles Taylor Clears the Courtroom

ff0f89ca6587e1494c2629e99de516f2 Foreign Policy: War Criminal Charles Taylor Clears the Courtroom

699eb82e6c2b8996bc41f69839f6c62b Foreign Policy: War Criminal Charles Taylor Clears the Courtroom

fd23f23e81883f7896ee1f569be157ba Foreign Policy: War Criminal Charles Taylor Clears the Courtroom


In every country, there’s a number. It’s a number journalists memorize and repeat so often that it’s hard to remember it’s a real number. In Uganda, the number was two million displaced at the height of the conflict with the Lord’s Resistance Army. In Liberia, the number is 250,000 dead during fourteen years of civil war.

I just learned the number for Sierra Leone: it’s tens of thousands dead, one third of the population of six million displaced by war.

I don’t remember the exact moment when I learned the number for Uganda. I also don’t remember the moment I learned Liberia’s number, since I read about the country long before I came here.

But just yesterday, I had to learn Sierra Leone’s number. I looked it up, because ten days in Freetown didn’t teach me that number.

48860e2276d692239b7748a8b9086b6e The numberThe number two.

Just an hour away from bustling Freetown, a small hotel called Franco’s is the perfect getaway. There’s fish carpaccio and a tomato salad that reminded me just how good really good olive oil is. I went with my brother and a friend and we drank and swam and ate and relaxed.

It was high tide. While usually there’s a big sandy beach right outside the building, the water came up to our room’s window. I almost got carried away by the rip tide during an ocean romp, but that’s another story for another day.

For now, here’s my friend exiting the room via the window. And then my brother. And then a sunset. It was a really lovely trip.

d8d44650196c8dffecbfd35660b32da0 Sierra Leone: Franco's
f8938c63d5465ce0c6469330adb4f57c Sierra Leone: Franco's
da6f38dbf611c80edc3de810de200287 Sierra Leone: Franco's
91e340edd069107258faef1e27d1356c Sierra Leone: Franco's
da7719f65ae400779abcb16ba2505041 Sierra Leone: Franco's
5353ac84062cef4e7ca6b5966913da1b Sierra Leone: Franco's

b315cfbf13eff3790b4721f6453401b6 Sierra Leone: Franco's

c146bcb90e4fc9ec88fb93c85071f278 Context Africa: Senagalese wrestlers captured in monochrome

Candace Feit is an award winning photographer who spent several years in West Africa. She’s recently moved to India, and photography from the region is worse for it. Her work is always thoughtful and beautiful, and tells some stories that make headlines and also important stories that don’t. I loved her recent series on Senegalese wrestlers, “Tyson vs. 50 Cent,” and she agreed to answer a few questions about it for Context Africa.

The point of this series is to highlight projects that go above and beyond daily news to tell a story of a place in its context. I also hope create an ongoing dialogue about what it means to tell contextual stories in Africa. There’s a lot of daily news out there that is factually incorrect, slanted, or stereotyped. But, there are also a lot of journalists committed to telling a different kind of story.

See Context Africa posts:

There are a lot of wrestlers in Senegal. How did you decide to focus on this particular group? How long did you spend working on this series?

This story was shot for Arise Magazine and I worked with writer Rose Skelton on it. Rose made contact with some of the members of the wrestling community in Senegal and they advised us on where to go. There are dozens (if not hundreds) of schools like this one, which is in a suburb of Dakar. We were only able to get to the school for one afternoon, but when we showed up, after a bit of explaining they let me just wander around, observe and photograph. Once I walked into the place I was pretty blown away by how it looked, with a hundred plus guys going through these rounds of exercises, calisthenics and then sparring. I didn’t get to work on this as long as I wanted because I was in the process of moving from Dakar to New Delhi, and the first part of the project was shot during my last week in Dakar. I wanted to photograph at least one match as well but the weekend I was leaving town all of the matches were canceled because of a general election. Luckily I was passing back through Dakar in early May so I could fit another couple of days of shooting in. All told I spent about 4 days shooting the story (2 more days than I budgeted for), but I wish I had had more time, this is one of those stories I feel like I could easily work on for many months, especially as there are so many guys in these schools who could very well be just on the cusp of making it big – so it would be great to have the opportunity to keep track of one or two of them through a year or so.

974ee707ff12388587877f7eff8d16de Context Africa: Senagalese wrestlers captured in monochrome

The photos certainly play with geometry and symmetry, visually, but never at the cost of the individuals who are pictured. What did you do to try and achieve that balance?
That balance is always in the back of my mind – especially in a situation like this where the beauty of the guys all in relative sync, running through their series of exercises is the most obvious thing about the scene. Even if it looks effortless so because these guys are so huge and so fit, it’s definitely not, and that was a big part of the story to me. In that way it was important to actually connect with guys (and the fans) and show the beauty along with the fierce determination to compete. One of the goals of my work is to show the connection with the subject and to gain more insight into the story behind the image – and to that I am always trying to shoot for the person and the feeling of the situation and not just the person as a nice shape in my composition. Especially in a story like this where the energies were running so high – with both the training and the fans – it is a spectacle full of anticipation but there are also quiet moments where the wrestlers are thoughtful and calm. It’s all part of the showmanship of the matches, and the matches themselves are usually very brief (2-3 mins) so there is all of this stuff around the actual match that I found incredibly interesting and that could act as a counterbalance to the intensity.
Technically speaking, it seems like you use both short lenses and long lens to create a variety of looks. What lenses did you loose to snap this with? And why did you pick black and white versus color?
I prefer shooting in film (6×6 med format) but when I shoot digitally I use Nikons (D700/D200/D300) with a few different lenses – mostly a 17-35, 28-70 and I use a 18-200 occasionally too but after years of running around with too much gear that I never used, I’ve tried to strip it down to the minimum. It was actually the magazine who wanted the piece in black and white – it’s not something I usually work in – but after looking at both options, I definitely agreed with them. I think presenting it in black and white had the benefit of stripping the photos down and removing a lot of visual information that would be distracting in color.
660408d91fd644af01375e8bc3238bb7 Context Africa: Senagalese wrestlers captured in monochrome
You mention that wrestling is changing a lot in Senegal, from a village sport to big business. Did you get to see examples of the village counterpart during your time in Senegal?
I have seen matches in villages in Senegal – both between kids and adults. Unfortunately I never got to see the stadium matches until I was working on this story, despite always wanting to go. Sport and physical fitness is such a huge passion in Senegal – especially in Dakar, were every beach is filled with a wide range of people working out, running, doing pushups in the sand. It is part of the landscape of the place, and I think can be used as a good tool for understanding the culture of the country.
At any point during the snapping did you do some wrestling?? Or weight lifting? icon wink Context Africa: Senagalese wrestlers captured in monochrome
Good question! No, though I did have to run around a bit shooting this. These guys are so huge – their presence are overwhelming. At one point I went with a wrestler who works out at my gym to photograph him through his workout. He took me around and introduced me to the staff there – none of who seemed to recognize me from my time there.

7fb6a49f02e1e48b21c001d619cf9aec Context Africa: Senagalese wrestlers captured in monochrome

4e292a1a929271240228c72c603edfcf GlobalPost: Truth Helps Liberia RecoverA the formed headquarters of ICRC, posters once served as a means for people to find family members lost during the war.

Truth Helps Liberia Recover
Controversial Truth Commission report helps many deal with the trauma of civil war.

By Glenna Gordon — Special to GlobalPost

Published: July 16, 2009 06:55 ET
Updated: July 16, 2009 22:49 ET

MONROVIA, Liberia — Gladys Arthur doesn’t care about Charles Taylor or Ellen Johnson Sirleaf or any of the other warlords and politicians who are named for wrongdoing in Liberia’s Truth and Reconciliation Commission final report.

The commission sought to understand both the causes and the consequences of Liberia’s chaotic 14-year civil war. They collected testimony of nearly 20,000 Liberians, including victims like Arthur and perpetrators like Prince Johnson, head of one of the rebel groups and one of the individuals listed as the single most notorious war criminals.

President Ellen Johnson Sirleaf is publicly sanctioned in the report and it recommends she not be allowed to hold office for another 30 years. Charles Taylor, who is now on trial at The Hague for crimes against humanity committed in neighboring Sierra Leone, is condemned and further prosecution is recommended.

But for Arthur, the only name that matters is on page 334 of the report, number 90 (she knows this off the top of her head) on the list of “most notorious perpetrators” recommended for further prosecution.

“M-A-N-G-O M-E-N-L-O-R,” said Arthur, 31, spelling out each letter decisively in her soft-spoken drawl. “Mango Menlor. That’s his name. That’s the man who killed my mother.”

Menlor killed her mother. And he also raped her, forced her to live with him as his wife, separated her twin brothers and gave away her baby sister to another commander.

Arthur was only 12 at the time. After several months, one of Menlor’s other wives helped Arthur escape by opening a side window when no one was looking after Menlor threatened to kill the young girl one time too many.

During the war, nearly a million Liberians were displaced, more than a quarter million died, and three-fourths of the country’s women were raped or sexually assaulted. In a country of only 3 million people, virtually everyone suffered.

For years, said Arthur, she felt shame and anger. But in 2007, a pastor at her church in a Monrovia suburb asked her what was wrong. She didn’t answer at first, but after weeks of quiet prodding, Arthur told her story. Then she told it again.

And now she’s telling it again and again.

Some of her friends and relatives who knew about her past judged her as part of an all-too-common blame the victim mentality. But, when her pastor didn’t, she felt better. He encouraged her to testify at the Truth and Reconciliation Commission (TRC) and while she was nervous about doing so, she agreed.

Truth commissions to resolve the problems in African countries coming out of civil conflicts were spearheaded by post-apartheid South Africa’s approach, and have played important roles in Rwanda and Sierra Leone. The emphasis is often on the victim’s opportunity to tell his or her own story.

After Arthur told hers to Liberia’s commission, she says she felt like a new person.

“When I put my story out, I felt better. I let go of the bitterness, of the burden I was carrying,” she said. “If you keep it, it can hurt you.”

It took her five hours of testimony to explain what had happened to her during the first round of hearings by the TRC, and a similar amount of time during a subsequent testimony. And now, every time she can grab a few minutes, she writes out more of her story on unlined white pages. First she used a blue pen, and then a black one. Her handwriting is careful and timid at points, bolder in some places, small and compressed in others.

The title page says, “A true story that happened to me.”

“Being able to unburden yourself as a victim can be really powerful experience,” said Lizze Goodfriend, a programs associate with the Liberia office of the International Center for Transitional Justice. “That’s what truth commissions can accomplish that a prosecution process can’t.” She also mentioned that hopefully human rights and justice groups will continue to create spaces that give victims a place to tell their stories and connect with each other on a community level.

To Arthur and many of the victims of the war, the TRC was less about what will happen next than a point in itself.

Menlor now lives in the same area in Monrovia as Arthur. “I see him every morning, and I feel bad, but I have been letting go. When I see him, I walk on the other side of the road.”

Arthur has high hopes that Menlor and other warlords will be further prosecuted for their misdeeds. Though it’s unclear if or when this will happen, what is clear is that for Arthur, the war is finally over.

0c757d73d71e4a6efa24b12cfaee7e26 Remember the really, really cute kids?

They’re kinda famous now! I sent this photo to AFP, and didn’t know it had been syndicated until I saw it in USA Today recently. I was tickled — these kids are my neighbors. They hang out in the empty lot near my house playing and being generally adorable. The other day when I was walking down the path to my house, they embraced me in a sort of kamakaze style hug, five kids deep in every direction.

Unfortunately, there’s now a big metal wall around the lot and someone’s doing construction. The kids have lost one of their play spots. The cute quotient in my life is dropping rapidly.

Two weeks away from Monrovia in lovely Freetown feels like vacation, even though I’m here working. Freetown is cheaper, easier to get around, has less security issues, and is generally a breath of fresh air after sitting in too many concrete compounds with barbed wire walls in Monrovia. Here are a few tales of Freetown since I’m currently enjoying a fabulous internet connection and some Nescafe.

  • The hotel I’m staying at is very Chinese. On the signpost outside the main gates, the name is in Chinese and then in English. When you fill out a room card, there’s a place to write your Chinese name. Most annoyingly, all the outlets in the room are designed for Chinese plugs. I guess this makes sense since every appliance and scrap of furniture in the room was clearly imported from China. The TV remote control is so confusing it may as well be in Chinese. Oh wait, it is in Chinese.
  • The other day, I went to a music producer’s studio. It didn’t have a sign. The producer had told me that everyone in the area knows the place and that I’ll find it easily. After I’d asked three people who had no idea where it was, I called him. “It’s just by the prison.” Ah, of course!
  • I jumped in a shared taxi late on Saturday night with two other women. One woman said to me, “You’ve come from Liahberah.” I didn’t recognize her, and was surprised she knew me. She said that she sees me around Newport Street and Carey Street with a camera, that I love taking pictures. I didn’t have my camera out, so there’s no way she could have guessed this. Clearly, she had seen me around. Sometimes I feel invisible because my MO is generally to hang out at some place long enough that people forget about me and go about their business. But she hadn’t forgotten. She was very nice and we chatted a bit. She’s a Fula lady from Guinea, visiting friends in Freetown right now, though she lives in Monrovia. I said I might head there sometime next month. She said, “Then I’ll see you in three countries!”
71d16a0a8019b442baf24169d3624dcd Off to Salone...

I’m headed to Sierra Leone for ten days. Blogging will be intermittent, but I’ll be back online after that.