Ethan Zuckerman has a great post up about American involvement in Somalia:

Counterintuitively, the best thing the US might do to prevent Somalia from becoming an operating base for Al Qaeda is to disengage, limit involvement to targeted strikes on international terrorist leaders and to providing humanitarian aid. That’s the case governance expert Bronwyn Bruton makes in this interview with the Council on Foreign Relations. She notes that a divided, clan-ruled Somalia was an environment Al Qaeda previously found impossible to operate in – the level of inhospitality of the clan system appeared to “inoculate” Somalia from foreign engagement. She suggests that allowing the TFG to fall and Al Shabab to rise will lead towards Al Shabab fracturing as a coalition, and eventually a return to clan politics and conflict, which is ultimately the only stable basis for a future functional Somali state.

Aymenn Jawad Al-Tamimi makes a similar case in an article in the American Thinker titled “What To Do About Somalia“. He urges a containment strategy – ensure that Al Shabab doesn’t act outside of Somalia, and cut off external supports. He also suggests the US and the international community recognize Somaliland, the comparatively stable north of the country, as an independent nation, creating another potential ally in stabilizing southern Somalia.

(Side note – while looking for Al-Tamimi’s article, I searched for “what to do about Somalia”. Google returned a wonderful result from Trip Advisor, titled “Things to Do in Mogadishu“. I love that Trip Advisor wants to find me a cheap flight to Mogadishu and to help me find a cheap Somali passport.)

What I find most interesting about Bruton’s arguments is her argument that the US is incorrectly framing the situation in Somalia as a conflict between religious ideologies. She argues that the TFG and Al Shabab are both ad-hoc, opportunistic groups looking for power, not advocating for a particular religious ideology. Because TFG is seeking funding from western governments, it argues that it’s a bulwark against terrorism. Al Shabab looks for support from Al Qaeda in the hopes of support from extremists in the Middle East. But the ideology is secondary to the search for power. (Some groups in Somalia have expressed concerns that the TFG includes a large number of Wahabbists, which seems incompatible with a pro-US orientation… and supports Bruton’s case that ideology is trumped by opportunity.)

If we take the conflict in Somalia out of the “extremist Islam versus the world” frame that the US often falls into, Bruton argues, we might be able to see that increased outside intervention will likely worsen the conflict. Perhaps then would make the decision to disengage. This doesn’t mean ignoring Somalia – it means watching borders closely, and being willing to strike against foreign fighters should they take shelter under Al Shabab. But it means giving up a failed strategy of nation building on the cheap and by proxy.

Katrina Manson has an interesting piece on the Retuers blog about the wealth of Lumumbashi, DRC.

LUBUMBASHI, Democratic Republic of Congo (Reuters) – Membership at the governor’s new gym costs $300 a month, the gastronomic menu at the new $350-a-night hotel is going down a treat and traffic guided by lemon yellow-uniformed police runs smoothly under sunny skies.

While Congo is more often associated with rebel killings, labelled by the United Nations as the world’s rape capital, filled with red tape and river journeys into the depths of jungled gloom, Congo’s copperbelt, in the southern Katanga province, seems a world apart.

Buoyed by mining income for more than a century, Katanga’s provincial capital Lubumbashi shows little sign that nearly 80 percent of Congo’s 67 million people live on less than $2 a day.

“We are proud that we are the richest province, that we have jobs and that life is much easier than in (the capital) Kinshasa,” said Kabwita Ipanga, a street vendor who sells chess boards made of polished malachite, a mottled green stone from which the copper that has made the province rich can be derived.

Katanga has rebounded since the global financial crisis saw copper prices plunge and mining operations suspended, putting hundreds of thousands out of work. Congo estimates it will double output by 2012 to 850,000 tonnes of copper and 90,000 tonnes of cobalt.

Today expatriate miners can count on swimming pools, game-watching and bowling to amuse themselves, and London-listed Lonrho said it opened its smart hotel to serve those drawn by the $12 billion being invested in Katanga’s resources.

Bombastic Element (which is one of my favorite blogs for links to interesting articles, issues, photos, music, and more) posts about a project at Luz Gallery by photographer Devin Tepleski that looks at a community in Bui, Ghana, whose residents are threatened with relocation by a new hydro dam.

Tepleski purposely situated his subjects in the very river that will flood their homes. In the photos the only discernible remnant of the river exists as a reflection of the human, a memory.

00 Around the Web, Around Africa

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f870be4da96c68d98eee29efabf89ff4 Rwanda's Polling Stations, All Dressed Up

12add7eb452021774006ed7da3ce10c6 Rwanda's Polling Stations, All Dressed Up

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Finbarr O’Rielly is at it again. The last time I wrote about his excellent work, I posted a couple of his series of hair dos in DRC and suggested that they tell a similar story about war and conflict with a different visual vocabulary than run of the mill DRC misery.

Now, he’s at it again – this time with a similar method but a different result. While he did do the typical news photography that covering an election (even one with a pre-determined outcome) involves, he also took photos of Rwanda’s polling stations all dressed up. This series is more of a collection of impressions than a statement with a political slant, and maybe that’s what I like about it. In a country where you can’t really talk politics, a collection of impressions can sum up a lived experience.

So many bloggers and photography critics spend post after post lambasting the stereotypical images of Africa that make their way into the Western media. But I’ve found that photos of starving kids are less common these days than they were five or ten years ago. It’s great to see so many different types of images, with different ways of creating meaning, being published today.

The politics of the Rwandan elections are too complicated for my non-expert self to even try and write about (check here or here for great insight), but somehow, these photos give me a different kind of insight into the same topics: one with nuance, aesthetics, isolation, tradition, and plenty of pale pink.

Life Without Lights from Peter DiCampo on Vimeo.

Peter DiCampo, previously based in Ghana but now heading all over the place, made this great multimedia piece about what happens after the lights go out. Make sure you check out Pete’s other work too here. He was also featured on the Lens blog a bit ago and is now on twitter — @peterdicampo.

If Alexis Okeowo tried to sell me a mixed tape for $100, I’d buy it. Probably for more. Check out this amazing video by Baloji that she linked to yesterday.

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The first set of beautiful photos I’d like to point out are by Jessica Hilltout of football in Africa. They’re features on the Lens today, but make sure you also check out her website. I also love her photos on Imperfection, as well as how she documents her style of working. Thanks to Laura from AidWatchers for originally showcasing Jessica’s lovely work.

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I love photos that explore ideas and that’s exactly what Carl de Keyzer does in his series “Congo (Belge)” featured on the New Yorker Photo Booth today. The photos are unusual – at times disconcerting and at times engaging, and at most times both. Definitely worth your bandwidth.

I can’t even imagine the kind of formalities that must go into photographing African royalty. When I wanted to take some photos of the police marching band in Monrovia recently, they made me jump through so many hoops that I just gave up. So getting this many kings and their wives and children to agree to sit for portraits is an accomplishment in and of itself. The fact that Daniel Laine’s photos are fantastic is yet another accomplishment. Check out more of them here.

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Lola Akinmade emailed me a couple of questions about my work for an interview on the Traveler’s Notebook, part of the Matador Network. Check it out here.

Filed under: things I want for my next birthday. Take note, friends and family, that next year simply writing on my facebook wall will not be enough.

Read more about the golden chukadu on Rachel’s blog.

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George Butler is a sketch artist on a six month journey through Central and West Africa. Here’s a bit about what he’s trying to do, from his first post on the London Times Travel Blog:

I can give the viewer more information than he or she would usually get with a photograph.

I’m now looking forward to putting all these skills to the test again in my most exciting and challenging project yet. I am travelling 8,500km overland from London to Libreville, the capital of Gabon in West Africa. It will take about six months and cover 12 African countries.

My brief is to describe West Africa as I find it, something that I believe you can do honestly only with a pen and paper, which allows you to be discerning and understanding, and to record things over time. I plan to draw with pen and ink and watercolour, but with pencils in reserve.

I am carrying 500ml of ink and as much paper as I can; this is due to run out after about two months so, after that, I will draw on whatever I can find, and e-mailing the images to The Times when I can get an internet connection.

I have rarely drawn anywhere in the world where I haven’t been offered a seat, lunch, tea, chai, vodka . . . I am constantly amazed by people’s honesty and generosity and I hope I can recreate this on my African adventure.

I’ve really been enjoying following his journey over the past couple of months. I think he has indeed shown something that photos can’t show. As a writer-turned-photographer-who-still-writes, I feel very conscious of the limitations of each medium. I can hardly draw a stick figure, but as you can see from the images posted below, George can draw a whole lot more than that. Make sure you check out the whole blog, since I had trouble even choosing which images to post.

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This is Africa blogger spends more than a blog post amount of time thinking about and exploring Joburg pre-world cup, and then he writes about it. Worth more than a blog post amount of reading. The story is here, and here’s a quick quote:

In Soweto, the arrival of Tumi is equally anticipated. By the time the rapper takes the stage, he’s two hours late — just on time, if you set your clock to Joburg’s rhythms. The crowd, having long since given itself over to the bar, is in a forgiving mood. The air is kinetic.

Sometimes I think there are two kinds of people in the world: those who like Nick Kristof and those who don’t. While I’ve always been clearly in the second camp, hopefully his most recent column will bring more people over to the other side. Africa is a Country does a nice takedown:

Kristof… finds a Congolese child–it plays well with American readers to focus on children, he has argued somewhere else–whose parents cannot afford to pay his school fees but have cheap cellphones and occasionally have a drink.

And then he brings up Bill Easterly’s favorite economist Esther Duflo to endorse his 19th century views in which Westerners, and particularly white Westerners, decide whats good for poor, third world, mostly black, particularly black people, and then he babbles on about microlending.  I am tired

Back in college, I didn’t believe in two kinds of anything. I studied art history and valued the ability of an image or piece of art to say two things at once, whether they are contradictory or complimentary. There’s an amazing sounding art exhibit that almost makes me want to say something like, “Get thee to Detroit!” but for now I settle with reading reviews of “Through African Eyes,” which looks at how Africans have pictures westerners for the past couple of centuries. G. P. Zachary blogs at Africa Works with the kind of anecdote that perfectly summarizes how there’s more nuance to the world that Nick Kristof acknowledges:

In my living room, I keep an old colonial, a Congolese carving of what is meant to be a cartoon-like Belgian soldier. The statue is recent, one of the hundreds, perhaps thousands of retro-colonial representations that Congolese carvers and artists are producing these days. When faced with the conundrum of why we exoticize the other, and are seemingly condemned to do so, I will visit with my Belgian soldier who is dressed in pith helmet, big black boots and sports a pencil moustache. The old soldier says no words but speaks nonetheless.

Steve Bloomfield’s new book Africa United: How Football Explains Africa is listed by the New York Times as a must read World Cup book. I took the photo they used for the cover of the UK edition when Steve and I worked together a bit in Liberia. I’m looking forward to reading it.

Ernest Bazanye lists things he’s learned from TV all of which are of coure hilarious, but here are a couple of my favorites:

3. The news is more factual, accurate and timely if it is delivered in broken English with a fake accent.

4. I now know what to drink if I want confidence.

6. Most animals do not speak. But those which do are hilarious.

11. Meredith Grey would beat John Dorian in a fair fistfight.

12. White People Can’t Dance

13. White People who can dance are black.