My article from yesterday’s Daily Monitor, about a nice trend (for once!).
WHEN Ms Monica Arac de Nyeko won the Caine Prize for literature a few weeks ago, she was the first Ugandan to receive such prestigious international literary recognition of late.
Ms Hilda Twongyeirwe, the co-ordinator of the Uganda Women Writers’ Association (Femrite), was happy for Ms Arac, but her happiness stopped at a certain point.
“When someone has won an award, it is an inspiration,” said Ms Twongyeirwe. “It makes us say to the other writers, ‘When is your piece coming out?”
Since its inception in 1996, Femrite has encouraged Ugandan women to tell their stories. “These girls who have won are working very hard,” said Ms Twongyeirwe. “And there are stories in Uganda to tell.”
In the past, says Ms Jackie Budesta Batanda, another recognised Ugandan writer who was short-listed for the Macmillan Award, “Uganda as a literary voice didn’t have the same impact as Zimbabwe, Nigeria or South Africa.”
According to Makerere literature scholar Susan Kiguli, “Before there was a sense there was good writing but not great writing. People cling onto one name – Chinua Achebe.
But we’ve been able to put Ugandan writing back in the limelight. We’re establishing ourselves in the world as writers worth our salt.”
Ms Arac is evidence of that as is Ms Batanda and a handful of other names, all worth their salt. The thing that’s changed, however, is not just the recognition, but who is getting recognised. For once, the women are at the head of the pack and the men are limping behind, manuscripts in hand.
“The men are too busy running after money, politics and drinking beer in bars in the evening,” said Mr Austin Ejiet, a published writer, newspaper columnist and former literature teacher at Makerere. “The ladies were clever when they started Femrite to articulate women’s writing and have work published. They got a lot of money and support.”
Ms Twongyeirwe, however, does not attribute it to the money and the support as much as the hard work and dedication the women of Femrite have given to their craft.
“Femrite began another phase of writing in which the women’s voice came boldly on the scene,” said Dr Kiguli, who is a former chairperson of Femrite. “Women were not going to be in margins.”
Mr Ejiet said he knows lots of men with manuscripts sitting in their desk drawers, waiting to be published. “Men don’t have the equivalent of Femrite. Even if they did, I don’t think men would come every Monday [when Femrite meets]. They would rather go to a bar.”
The manuscripts Mr Ejiet referred to are waiting in the offices of Mr Alex Bangirana of Fountain Publishers, located on the campus of Makerere University.
“The challenge is the market,” he said. “We get manuscripts but we don’t sell great quantities of those we have published. We print 2,000, sell over time, but it’s not in one or two or even three months.”
Mr Ejiet said Fountain rushes to do orders for the Ministry of Education and the forthcoming Commonwealth Summit before literature because they sell many more copies than literary books. Mr Bangirana confirmed this. “Do we have the money to buy the books? Money goes to school fees,” he said.
However, everyone agrees that part of the problem is that schools are not using Ugandan fiction books as part of their curriculum. “Now the Ugandan education system needs to read their own,” said Dr Kiguli. “Kids will be excited to know it’s not only Shakespeare who has written – dead and male and white.”
Ms Arac, however, disagrees that people are not reading Ugandan literature. She thinks the problem is that there isn’t enough information about the books getting to the people who are hungry to read them. “It’s easy to say people are not reading,” she said. “But I think people are keen to see literature which reflects them.
Students are thrilled about books. ‘This sounds like someone I know,’ they say. People want to read good literature but also about themselves.”
Ms Arac said it would be great if thousands of books got bought but added that despite all that, people are buying and reading.




I’m 
Iwaya says:
We blog. A lot.
[Reply]
— August 7, 2007 @ 10:19 am
Iwaya says:
Has the writer of this article even ever tried to read some of the writers they tout as representative and good in this country? what sort of writer is Eijet to quote? has anyone actually tried to read his frigid and turgid poetry? My God!
[Reply]
— August 7, 2007 @ 10:30 am
Baz says:
You are wrong on so many points, Lion.
I’ll be back to explain why this evening. I hope this post isn’t buried by then.
[Reply]
— August 8, 2007 @ 2:36 am
Baz says:
Scarlet Lion, thank you for waiting. Here is my response to your post:
Your article started off suspicious. You said my friend Monica was “the first Ugandan to receive such prestigious international literary recognition of late”. But just a couple of years ago Doreen Baingana received a Commonwealth prize. Your article therefore started off sounding as if you either did not really know your material, or were willing to shoehorn facts into spaces they didn’t fit just so that you can make your agenda.
After reading the article, I am still not sure which of the two it is. Are you ignorant, or unscrupulous?
Because you seem to be working hard to make the word “writers” exclude men.
Jackee (isn’t that how she spells her name?) speaks of Ugandan stories that need telling, and mentions Uganda’s literary voice. How do you make this sound as if this quote excludes all the guys who she used to write with here before she left Kampala?
I don’t believe that that is what she said, because she was right here with us – men and women – all writing, a voice in unison, without discrimination.
“For once the women are at the head of the pack and the men are limping behind” is a patently ludicrous statement. It implies that for a long time all the piles of books that were written in Uganda were authored by men, and that even though women tried to break into this strict and rigid club, they were not been permitted to. Perhaps by institutionalised sexism.
This is just not true. Uganda has never been a literary powerhouse, male-dominated or otherwise. And don’t cite the Okot P’Bitek days. The authors from those days can be counted off one hand. That doesn’t count as a pack.
If we have a rising number of Ugandans writing literary fiction today, it is not a renaissance. It is a beginning. This is not an old pack changing leadership. It is a new pack.
And it is not even an all-female pack. Who told you that women are the only ones writing? Ejiet? Ejiet is talking through his ass. There are scores and scores of young male writers who spend whole nights at keyboards if they can, and, if they can’t, they stay awake scratching on notebooks with ballpens. These men are as sincere, keen and driven as Ms Batanda and Ms Arac De Nyeko (Not “Ms Arac” by the way) ever were. I know this because I know them.
The reason you have not heard of them is probably because they have not been published by Femrite. The reason they have not been published by Femrite is they are not women.
But what other avenues do they have? Fountain? Fountain is a business, not a charity. It doesn’t get grants to publish books that don’t have a market. You spoke to Alex, and he told you.
You have more published literary work by women because the people who publish literary work publish women, not because men don’t write. You can draw out the logic and see: Femrite doesn’t prove your argument, it destroys it.
Femrite, bless them, are just trying to do what they think is right. It is their company and they can publish who they want. And reject whichever gender they don’t want. But for all the stuff they have published (some of it good, some of it crap) the fact remains that every Ugandan author who has achieved significant recognition over the past several years has published outside Uganda.
Baingana and Moses Isegawa are the best examples, Arac De Nyeko also illustrates this.
But even if you use “international literary recognition” as the measure of whether one gender is writing or not, you still have a problem: Over the past few years we have had our Baingana and our De Nyeko. But you also have Moses Isegawa…
[Reply]
— August 8, 2007 @ 8:37 am
Scarlett Lion says:
Baz, I think people hate when I do this, but I think you’re comment deserves it’s own post…
[Reply]
— August 10, 2007 @ 5:29 am
Mel says:
Scarlett Lion! I read that article in monitor and it got me thinking….so I was idle one day and decided to google ugandan writers and look who I found! I believe his works are far superior to any women writers, including that cane woman who won it because she wrote about homosexuals! Check him out http://www.geocities.com/dilmandila/shortstories.html
[Reply]
— March 29, 2008 @ 7:11 am
ubu says:
am i the only one who cares to mention the great writer moses isegawa? abysinnia chronicles, snakepit? both highly recommended!
[Reply]
— April 10, 2008 @ 1:18 am