Vice has a new documentary out about Liberia. It’s getting lots of buzz around the web, and a few people have emailed me to ask what I think of it. The truth is that I haven’t seen it.  Thanks to a very, very, very sloooooow interent connection I can only read what people are saying about it rather than form my own opinion.

So far, the always interesting Ethan Zuckerman’s take gets to the heart of the matter:

So, is this a straightforward case of overprivleged westerners making fun of the poor, a contemptible piece of exoticism? I think the filmmakers see themselves doing something different: showcasing the strange culture collisions that occur in a world as interconnected as ours… Something about the VBS documentaries – the high quality of production, the unfamiliarity of the subject matter, the narrative of “adventure” rather than history – is generating a lot of buzz. As much as I want to object to the VBS video, which sensationalizes, uses historical footage with little context, and is a classic example of parachute psuedo-journalism, I have to admit that it’s a compelling piece of storytelling and that it caught my attention. Rather than critiquing it, I’m interested in picking it apart and starting to understand what makes it work. What could documentary filmmakers learn from VBS to generate a wider audience for their work? Is it possible to broaden your audience without playing to their desire to see something shocking and outrageous? Is it acceptable to use shock and outrage to get people to pay attention to parts of the world they know and care little about?

The field coordinator for the project was friend and colleague Myles Estey. He writes a bit about it on his blog Esteyonage, a frequent link-ee and definitely worth reading, here. Frankly, the Vice guys were lucky to have Myles working on this project. With the caveat again that I haven’t yet seen the film, I’m guessing that the input Myles provided makes Ethan’s questions harder to answer and keep the film from being outright sensationalism.

Myles tells me he’s getting a copy mailed to him in Monrovia and I’m hoping we’ll sit down and watch it in the coming weeks – as the generator flickers and heroine addicts and rebel warlords roam the streets terrorizing Liberia’s tentative peace! Okay, not really. My house is in a nice neighborhood and there’s a tea shop outside where I buy eggs every morning, there are always kids playing, and people bring chairs and benches and gather round in the evenings to watch movies and football games.

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Posted by Glenna | Categories: African Stereotypes, Blog New and New Links, Liberia
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